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Atlas ⋅ 1949

Low
$70
Mid
$215
High
$710

Atlas ⋅ 1950

Low
$35
Mid
$105
High
$350

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1950

Low
$50
Mid
$150
High
$495

Atlas ⋅ 1950

Low
$80
Mid
$245
High
$810

Atlas ⋅ 1951

Low
$40
Mid
$120
High
$395

Atlas ⋅ 1951

Low
$100
Mid
$300
High
$1k

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$50
Mid
$155
High
$515

Atlas ⋅ 1951

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1951

Low
$60
Mid
$185
High
$610

Atlas ⋅ 1951

Low
$50
Mid
$155
High
$515

Atlas ⋅ 1951

Low
$65
Mid
$200
High
$665

Atlas ⋅ 1952

Low
$60
Mid
$175
High
$575

Atlas ⋅ 1952

Low
$90
Mid
$265
High
$875

Atlas ⋅ 1952

Low
$60
Mid
$185
High
$620

Atlas ⋅ 1952

Low
$85
Mid
$260
High
$870

Atlas ⋅ 1952

Low
$95
Mid
$285
High
$945

Atlas ⋅ 1952

Low
$75
Mid
$225
High
$745

Atlas ⋅ 1952

Low
$120
Mid
$360
High
$1.2k

Atlas ⋅ 1952

Low
$75
Mid
$220
High
$740

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$535

Atlas ⋅ 1952

Low
$100
Mid
$295
High
$980

Atlas ⋅ 1952

Low
$90
Mid
$270
High
$895

Atlas ⋅ 1952

Low
$120
Mid
$360
High
$1.2k

Atlas ⋅ 1952

Low
$65
Mid
$195
High
$655

Atlas ⋅ 1953

Low
$95
Mid
$285
High
$945

Atlas ⋅ 1953

Low
$60
Mid
$175
High
$590

Atlas ⋅ 1953

Low
$75
Mid
$225
High
$750

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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