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Atlas ⋅ 1949

Low
$60
Mid
$175
High
$580

Atlas ⋅ 1950

Low
$20
Mid
$60
High
$205

Atlas ⋅ 1950

Low
$35
Mid
$105
High
$345

Atlas ⋅ 1950

Low
$40
Mid
$125
High
$415

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$365

Atlas ⋅ 1951

Low
$25
Mid
$80
High
$265

Atlas ⋅ 1951

Low
$80
Mid
$245
High
$815

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$40
Mid
$115
High
$375

Atlas ⋅ 1951

Low
$30
Mid
$85
High
$280

Atlas ⋅ 1951

Low
$30
Mid
$90
High
$295

Atlas ⋅ 1951

Low
$30
Mid
$85
High
$290

Atlas ⋅ 1951

Low
$30
Mid
$85
High
$280

Atlas ⋅ 1952

Low
$35
Mid
$100
High
$330

Atlas ⋅ 1952

Low
$45
Mid
$140
High
$460

Atlas ⋅ 1952

Low
$25
Mid
$70
High
$230

Atlas ⋅ 1952

Low
$60
Mid
$175
High
$580

Atlas ⋅ 1952

Low
$40
Mid
$115
High
$385

Atlas ⋅ 1952

Low
$45
Mid
$135
High
$445

Atlas ⋅ 1952

Low
$180
Mid
$540
High
$1.8k

Atlas ⋅ 1952

Low
$50
Mid
$155
High
$510

Atlas ⋅ 1952

Low
$30
Mid
$95
High
$310

Atlas ⋅ 1952

Low
$120
Mid
$360
High
$1.2k

Atlas ⋅ 1952

Low
$40
Mid
$120
High
$400

Atlas ⋅ 1952

Low
$85
Mid
$250
High
$835

Atlas ⋅ 1952

Low
$110
Mid
$330
High
$1.1k

Atlas ⋅ 1953

Low
$90
Mid
$265
High
$880

Atlas ⋅ 1953

Low
$25
Mid
$75
High
$255

Atlas ⋅ 1953

Low
$55
Mid
$165
High
$545

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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