Suspense  (1949)

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Atlas ⋅ 1949

Low
$55
Mid
$165
High
$550

Canadian ⋅ Bell Features ⋅ 1949

Low
$65
Mid
$190
High
$630

Atlas ⋅ 1950

Low
$50
Mid
$155
High
$510

Atlas ⋅ 1950

Low
$55
Mid
$165
High
$555

Atlas ⋅ 1950

Low
$45
Mid
$130
High
$425

Atlas ⋅ 1950

Low
$100
Mid
$300
High
$1k

Atlas ⋅ 1951

Low
$35
Mid
$100
High
$340

Atlas ⋅ 1951

Low
$75
Mid
$230
High
$765

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$55
Mid
$170
High
$560

Atlas ⋅ 1951

Low
$40
Mid
$115
High
$385

Atlas ⋅ 1951

Low
$50
Mid
$145
High
$490

Atlas ⋅ 1951

Low
$35
Mid
$105
High
$355

Atlas ⋅ 1951

Low
$50
Mid
$150
High
$505

Atlas ⋅ 1952

Low
$80
Mid
$245
High
$810

Atlas ⋅ 1952

Low
$150
Mid
$450
High
$1.5k

Atlas ⋅ 1952

Low
$90
Mid
$265
High
$875

Atlas ⋅ 1952

Low
$55
Mid
$170
High
$570

Atlas ⋅ 1952

Low
$65
Mid
$190
High
$635

Atlas ⋅ 1952

Low
$65
Mid
$195
High
$655

Atlas ⋅ 1952

Low
$180
Mid
$540
High
$1.8k

Atlas ⋅ 1952

Low
$70
Mid
$205
High
$685

Atlas ⋅ 1952

Low
$45
Mid
$135
High
$445

Atlas ⋅ 1952

Low
$120
Mid
$360
High
$1.2k

Atlas ⋅ 1952

Low
$100
Mid
$300
High
$1k

Atlas ⋅ 1952

Low
$80
Mid
$245
High
$810

Atlas ⋅ 1952

Low
$75
Mid
$225
High
$745

Atlas ⋅ 1953

Low
$85
Mid
$255
High
$845

Atlas ⋅ 1953

Low
$55
Mid
$160
High
$525

Atlas ⋅ 1953

Low
$75
Mid
$225
High
$750

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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