Suspense  (1949)

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Atlas ⋅ 1949

Low
$70
Mid
$205
High
$690

Canadian ⋅ Bell Features ⋅ 1949

Low
$65
Mid
$195
High
$655

Atlas ⋅ 1950

Low
$35
Mid
$105
High
$350

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1950

Low
$50
Mid
$145
High
$485

Atlas ⋅ 1950

Low
$80
Mid
$235
High
$790

Atlas ⋅ 1951

Low
$40
Mid
$115
High
$385

Atlas ⋅ 1951

Low
$100
Mid
$300
High
$1k

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$50
Mid
$150
High
$505

Atlas ⋅ 1951

Low
$35
Mid
$110
High
$365

Atlas ⋅ 1951

Low
$60
Mid
$180
High
$600

Atlas ⋅ 1951

Low
$50
Mid
$150
High
$495

Atlas ⋅ 1951

Low
$65
Mid
$190
High
$640

Atlas ⋅ 1952

Low
$60
Mid
$175
High
$580

Atlas ⋅ 1952

Low
$85
Mid
$260
High
$870

Atlas ⋅ 1952

Low
$65
Mid
$190
High
$625

Atlas ⋅ 1952

Low
$90
Mid
$265
High
$875

Atlas ⋅ 1952

Low
$95
Mid
$280
High
$940

Atlas ⋅ 1952

Low
$75
Mid
$225
High
$745

Atlas ⋅ 1952

Low
$120
Mid
$360
High
$1.2k

Atlas ⋅ 1952

Low
$75
Mid
$220
High
$740

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$540

Atlas ⋅ 1952

Low
$120
Mid
$360
High
$1.2k

Atlas ⋅ 1952

Low
$70
Mid
$210
High
$695

Atlas ⋅ 1952

Low
$110
Mid
$330
High
$1.1k

Atlas ⋅ 1952

Low
$65
Mid
$195
High
$645

Atlas ⋅ 1953

Low
$95
Mid
$280
High
$935

Atlas ⋅ 1953

Low
$55
Mid
$170
High
$570

Atlas ⋅ 1953

Low
$75
Mid
$220
High
$730

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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