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Key Facts
Plagiarized artwork by Roy Lichtenstein in a painting titled Whaam! (1963) by Roy Lichtenstein
Tap cover and swipe to view artwork illustrated by Russ Heath that was swiped by pop culture artist Roy Lichtenstein without attribution
Lichtenstein also lifted two panels from the story 'Aces Wild!' illustrated by Russ Heath and written by Hank Chapman for his paintings Blam (1962) and Brattata (1962)
Lichtenstein also swiped the lower right illustration on the cover art by Jerry Grandenetti for the painting Jet Pilot (1963)
Key Facts
Plagiarized artwork by Roy Lichtenstein in a painting titled Whaam! (1963) by Roy Lichtenstein
Tap cover and swipe to view artwork illustrated by Russ Heath that was swiped by pop culture artist Roy Lichtenstein without attribution
Lichtenstein also lifted two panels from the story 'Aces Wild!' illustrated by Russ Heath and written by Hank Chapman for his paintings Blam (1962) and Brattata (1962)
Lichtenstein also swiped the lower right illustration on the cover art by Jerry Grandenetti for the painting Jet Pilot (1963)
Key Facts
Plagiarized artwork by Roy Lichtenstein
Middle image: As I Opened Fire (1966) by Roy Lichtenstein - the panel is an example of a 'Triptych' which is an art term to define a piece that is divided into three sections
Lower image: interior panel illustrated by Jerry Grandenetti and written by Robert Kanigher was swiped by pop culture artist Roy Lichtenstein without attribution
Lichtenstein also lifted the background art from a panel in 'Target Destroyed - Maybe' illustrated by Russ Heath for the painting, Okay, Hot Shot Okay! (1963)
Another panel in 'Target Destroyed - Maybe' was used in the painting Bratatat! (1963)
Key Facts
Plagiarized artwork by Roy Lichtenstein
Middle image: As I Opened Fire (1966) by Roy Lichtenstein - the panel is an example of a 'Triptych' which is an art term to define a piece that is divided into three sections
Lower image: interior panel illustrated by Jerry Grandenetti and written by Robert Kanigher was swiped by pop culture artist Roy Lichtenstein without attribution
Lichtenstein also lifted the background art from a panel in 'Target Destroyed - Maybe' illustrated by Russ Heath for the painting, Okay, Hot Shot Okay! (1963)
Another panel in 'Target Destroyed - Maybe' was used in the painting Bratatat! (1963)
Key Facts
Formerly titled All American Western
Key Facts
Retitled All American Men of War
Key Facts
Referenced in Seduction of the Innocent which led to establishing the Comics Code Authority
Reason: a couple is shown with bullet holes in their heads and stab wounds in their chests, reprinted from Law Against Crime #3
Key Facts
Referenced in Seduction of the Innocent which led to establishing the Comics Code Authority
Reason: a couple is shown with bullet holes in their heads and stab wounds in their chests, reprinted from Law Against Crime #3
Key Facts
3-D effect cover art by L. B. Cole
Key Facts
Cover art by L. B. Cole
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