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Key Facts
Featuring pin-ups and sketch art by Adam Hughes
Key Facts
Red foil convention exclusive, limited to 500 copies
There is also a gold foil edition
Key Facts
Red foil convention exclusive, limited to 500 copies
There is also a gold foil edition
Key Facts
Cover art by Joe Quinones
Key Facts
'Across The Universe'
Scarce, promotional issue given away at New York Comic Con 2017
Cover art inspired by Green Lantern #76 (1970)
Key Facts
'Across The Universe'
Scarce, promotional issue given away at New York Comic Con 2017
Cover art inspired by Green Lantern #76 (1970)
Key Facts
Print run of an estimated 250 copies
Measures 5 in. x 7 in.
Independently-published comic famed for its mature content
Key Facts
Print run of an estimated 250 copies
Measures 5 in. x 7 in.
Independently-published comic famed for its mature content
Key Facts
Quasar #32-34 were numbered #1-3 for readers who were regular newsstand buyers since Quasar was not typically sold outside of a comic shop and this issue fell into the Operation Galactic Storm crossover with titles: Captain America, Avengers West Coast, Wonder Man, Iron Man
Key Facts
Quasar #32-34 were numbered #1-3 for readers who were regular newsstand buyers since Quasar was not typically sold outside of a comic shop and this issue fell into the Operation Galactic Storm crossover with titles: Captain America, Avengers West Coast, Wonder Man, Iron Man
Key Facts
2nd appearance of Fighting Yank
Key Facts
1st full team appearance of the Ninjettes
Key Facts
Final cover illustration by L.B. Cole
💀 MATRIX COMIX: Buried in this obscure horror magazine title from Hamilton is the final cover produced by the Golden Age master, Leonard Brandt Cole before his death in 1995
Although not as startling as his earliest work, the ageing artist manages to produce a spooky scene featuring a decomposing zombie escaping his grave
However, Cole’s cover is actually a swipe from artist Mike Roberts (tap cover and swipe to view) found on the obscure horror one-shot/coloring book, Grave Tales, published by Wonderful Publishing Company in 1974 and limited to 1,000 numbered copies
It’s unclear what Cole’s relationship was, if any, to cover artist Roberts who is best known for his work on Death Rattle from Kitchen Sink Comix
What is clear is that Cole worked on his craft for his entire life and in the end, revisited the horror genre which helped to establish his early career and legacy
Key Facts
Final cover illustration by L.B. Cole
💀 MATRIX COMIX: Buried in this obscure horror magazine title from Hamilton is the final cover produced by the Golden Age master, Leonard Brandt Cole before his death in 1995
Although not as startling as his earliest work, the ageing artist manages to produce a spooky scene featuring a decomposing zombie escaping his grave
However, Cole’s cover is actually a swipe from artist Mike Roberts (tap cover and swipe to view) found on the obscure horror one-shot/coloring book, Grave Tales, published by Wonderful Publishing Company in 1974 and limited to 1,000 numbered copies
It’s unclear what Cole’s relationship was, if any, to cover artist Roberts who is best known for his work on Death Rattle from Kitchen Sink Comix
What is clear is that Cole worked on his craft for his entire life and in the end, revisited the horror genre which helped to establish his early career and legacy
Key Facts
1st appearance of Liseth Vok as Red Tide
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